Copycats, sadly enough I get to deal with this quite often... It's sad, uncreative and not cool!
I cannot understand how one can think it is ok to steal and use someone's work, something I worked really hard on (no, even if you're a professional illustrator, ideas and style do not come overnight, it requires hard work and dedication) and make a living with.

It varies from Asian companies printing your work on tees/ bags/ etc to happy crafters who do not understand the line between inspiration and stealing. This time it was someone who thought it to be ok to post a tutorial on how to make my Instant Comfort Pocket Boxes and using my cover design. After poining out to her this is in violation with copywrite law she promissed not to use my covers but to make them with her own design and added that she did credit me in the post (she even said to feel hurt by my accusations as 'she worked so hard to make her own designs'...). That sound to me like poring chocolate sauce over rotten meat, it still is stealing my idea! Unfortunately she did not understand this at all (even when others were commenting on her post that this was not ok)...

Every time it happens I promiss myself not to let it get to me but every time I feel so sad... And to be frank, I want to cry about it. Copywrite is such a delicate and hard thing to address that it sometimes feels that everything you send out into the world could be taken from you. It brings a certain cramped feeling to my work I do not enjoy.

My work is about joy, about being nice to each other, about being thoughful. I want to hold this feeling, I love sharing and bringing happiness, it makes me feel good and connected to others.
I truely hope that some day it will be universally considered not done to copy or steal work and everyone will be creative and honest enough to only spread their own original ideas and designs.

I wish you all an inspirational, creative and joyful week.

Super Bib DIY

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 I don't know about other toddlers but mine can make diner quite a messy ordeal (Oh horror - tomato sauce!). Since he started to hold his own spoon/ fork, bibs always seemed too small...
So, I took matters in my own hands and came up with the mess-proof bib: The Super BiB! Your child will be fully covered so no scrubbing on those hip (but oh so expensive) cute clothes.
Best of all, you can DIY it in about 15 minutes!

I've made my toddler a few and he is covered from shoulders to (about) knees. Because the towel fabric is thick and fluffy, no stains pass through the fabric and it holds shape (I've also tried dishcloths but these proofed too thin).

What you need
+ a kitchen towel
+ bias tape (that stuff with two fold edges) in a contrasting color/ pattern: about 30" / 75 cm
+ scissors
+ sewing thread
+ sewing machine
+ sewing pins

How it's done
fold your kitchen towel in two and cut away a quarter of a circle (about 2.5" x 2.5" / 6 x 6 cm) from the top corner at the folded side.

Now unfold the towel and pin the bias band round the cut half circle (make sure the bias band is evenly spread and you have two ends of the same size sticking out). Sew it in the half circle.
Fold the bias band over and sew the other side.

Make knots in the ends of the bias band and you're done! Now make a few more ;-)

By the way, this super bib also makes a great new-baby-gift (for those happily unaware parents who do not know what has hit them once their child starts with fruitsauce).


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I'm making drawings for the Make Art That Sells course by Lilla Rogers. I enjoy receiving assignments with subjects I otherwise wouldn't have thought of, like drawing funny pottery pieces ;-) Normally I'm so busy with commission I don't get to do 'work for myself', with this course I'm sort of forcing myself. And, it's been ages ago I used colorde pencils but I like it!

Freelance (illustrator) Etiquette


Last friday I was at the annual Flow Magazine freelancer's breakfast and spoke with very inspiring fellow freelancers. Funny was how we all experience the same hick ups now and then, doing our job. Issues with payment, responding to mails (or not) and such...

With this in mind I think this monday is the perfect day to write a bit about freelance etiquette for the (starting) illustrator and also a bit - do I dare to say this?- for clients. Let's say it could be a sort of guide line or 5 rules to keep things friendly and pleasant for both parties.

1. general work attitude
There are only a few simple words to say about this: be kind, be friendly, be polite and do not complain to clients (this is something different then addressing a problem,  more about this in point 3). Also when a commission is finished, thank the client for giving you the commission/ the great collaboration and express that you're looking forward to work with them in the future/ what you liked about this job. ('I very much enjoyed drawing those...').

2. deadlines
NEVER EVER cross a deadline (both parties)! This is annoying and unprofessional. Be open and honest about the amount of work you can do in a specific periode of time, no one will benefit from you taking on to much work - no, not even the client.
A solid tip if you're not the best planner: when estimating how long a commission will take you, do not include evenings or weekends in your calculations, these are for family or (only in extreme cases) extra time in case of a commission emergency/ urgent commission for that super interesting client you always wanted to work for. Also, add two extra days to your calculations. This way you do not have to stress when your child/cat/you suddenly gets hit by the flu. And, even better, you will probably finish your commission earlier than expected = a happy client!
By the way, this also goes for the VAT, make sure you're on time (your bookkeeper knows the dates) to prevent stress and - god forbid -a fine. 

3. addressing a problem 
Sometimes communication between you and a client can be a bit of a bumpy ride. Try to be honest and clear (but polite) about expectations. Be sensitive to the clients point of view without losing your own position. If there is a problem with deadlines, agreements, payment or something else, give your client a ring (or send and email) and communicate the issue in a friendly, calm and professional way. This means that you do not involve any personal issues or explanations ('sorry that I'm so emotional on the phone, it's my time of the month/ my boyfriend left me/ my quinnea pig died...').
Most of the time things can be solve in a simple way and you can happily go on with doing your work.
if things can't be fixed though, then there's three options (depending on how insuperable the issue is):
1. don't accept the commission (only if you haven't started yet)
2. finish the commission but never work for this client again
3. get legal help (only in serious cases and if it's worth the hassle)

4. payment and fees
In the Netherlands we're experiencing a serious drop in honorarium the last few years, due to recession and economical crisis. Clients have less and less money available for illustrations (and other editorial features) and could ask you to do a job for 50% of the price you'd normally got paid. This is frustrating because you  still have to pay the same bills and it may feel like your work is less worthy. This partly is a thing we just have to deal with but on the other hand, you do not have to accept everything.
The first and most important rule here is: do NOT work for free (or like clients bring it: we'll promote your work/ you'll be able to build your portfolio in exchange). Even if you're a starting illustrator, don't do it, you're bringing the market down!
The only exception is when it does bring you something you really need or want (a free subscribtion, products you can sell, or, ok, real real seriously good exposure of your work).
This rule does not go for interviews by the way, this you can do for free and is indeed good exposure of your work/you.
If someone asks you for work you already made, you can give it for free but only if this is somthing you already sold elsewere. But even then it would be better to ask for some payment for it. Be your own judge in this but keep in mind not to ruin the market for others by selling your work too cheap.

Also, the price clients offer in the first briefing often isn't the price they can pay (which is often higher). Be honest about how much time you'll expect to work on a commission and how much that will cost. If the budget is too high for the client, consider the following:
1. how important is it for me to work for this client? (is it a step up?)
2. what is the lowest amount you would be comfortable with?
3. can the illustration be sized down/ made more simple and therefor will take less time?
4. offer to meet each other in the middle

What to do when you've send an invoice (after finishing the commission) and the client is not paying? First send them a polite but clear mail that you have an open invoice from them. Ask if they will check if this is correct, if something might have gone wrong, and if they will be so kind to pay it within 14-30 days (what you're comfortable with).
If they still haven't payed by then, send them a reminder invoice with the solid promiss that you'll add 10% to the invoice if they do not pay within 14 days.
If they still do not pay (I've never experienced this myself, the reminder invoice mostly works) send that +10% invoice with again a 14 days notice and a promiss that you'll take legal actions if they do not pay. That should do the trick ;-)

5. responding to email
Be quick! Respond to mails withing 3 days, preferably 1 day.
Again, be clear, polite, friendly and kind. Even if you have to turn someone down, thank them for their email/ interest in your work. Also if you've mailed someone for an interview, inquiery, etc, always, always respond to their answer. Say Thank You, even if you decide to not accept an offer.
I cannot address this enough, it very often happens that someone askes me for an interview, I take the time to write answers to their questions and they do not even respond with a thank you for taking the time! Same goes for wholesale or costs inquieries, respond respond!

Good luck and feel free to share this post!

custom lessons

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Today I welcomed two lovely ladies in my studio who were keen on learning about drawing pressed flowers and decorating vintage postcards. I made a combination of the two and teached a three hour workshops to boost their inspiration and illustration talent.

Alongside the technical tutorials and material explanations we looked at different illustration books and real life flowers to help the drawings pop. Afterwards they left with a sketchbook with flowers drawings and a bunch of illustrated postcards and hopefully new inspiration and illustration-joy!

New Comfort Boxes for Valentine's day

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With the day of love coming up within a month I made a brand new Instant Comfort Pocket Box, specially for the occassion: a little though tiger with a small heart ;-)
The hero Bear box got a make over and is now also ready for some good old declarations of love or admiration (but, still suitable for other sweet moments as well).

You can find them both in Kim's Little Monsters Etsy Shop.

Let's Explore Magazine

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In the fresh beginning of 2016 a new magazine was launched: Let's Explore Magazine. The editor of this magazine is a long time friend (and ex boyfriend... long long time ago ;-) ) so naturally I was very interested in this paper pearl...

Originally this was a online magazine but last week, the very first printed version came out and I was intantly amazed by the quality! You can see it is made with care, attention and know how. What I particularly love about it is that, in a world where you see so much of the same graphic solutions (like a white frame and text over a photo for example), this magazine follows it's own layout and style.
The photos are just wonderful, it's a sheer joy to flip through the pages. The subject of this issue is belonging and about that I can say one thing: this magazine does absolutely belong on everyone's bookshelf!

It is currently available at Atheneum Newscenter in Amsterdam. For other stockists, contact Let's Explore Magazine or check their FB page.

SALE in the webshop!

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Because it's a brand new year
Because it's been a while since the last sale
Because I can ;-)

A 40% discount on all things wooden in the Etsy shop: handpainted nursery mobiles and key chains.

A new year & new recipes by my illustration students

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 left by Antoinette - right by Noortje

left by Sanneke - right by Lieke

left by Maaike - right by Anouk

left by Marjolein - right by Marja

Happy new 2016 everyone! Let's hope this year will be a fabulous one.
To start good, I'd like to share with you a few of my illustration students favorite recipes. The assignment was to choose a recipe and illustrate the lot in a clear, understandable and fun way in their own style (color and material was free of choice).

Almost there... christmas

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Hi everyone! Our house is almost ready for christmas... The tree is in the house, the poinsettia is flowering only I'm not there yet...
Due to the insane christmas madness in the shop the past few weeks (stressssss!), I've decided to take a blog break till the beginning of the new year.

The shop is still open but will close from december 20th till january 3rd in the new year.
Happy holidays to you and your loved ones and see you in the new year!

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